John Wengraf

A great number of Austrian and German actors were forced to flee their homeland during the rise of 'Adolf Hitler' (qv) and the Nazis in the late 1930s only to find themselves smack dab in Hollywood pictures playing thoroughly nefarious Gestapo commanders. Viennese performer 'John Wengraf' (qv) was one such actor. Born in 1897, his father was a theatre critic whose occupation obviously encouraged John's early interest in performing. His acting career began on the repertory stage in 1920, eventually becoming a member of the Vienna Volkstheater. He went on to earn a sturdy reputation as a dramatic performer both in his homeland and in Berlin.Because he was Jewishm Wengraf emigrated to England in 1933 as the Nazis began their rise to power. There he appeared unbilled in a couple of films there, as well as in some of the first BBC live-television shows ever presented, but his career began to languish. In late 1941, however, he had the good fortune of appearing on Broadway with 'Helen Hayes' (qv) in "Candle in the Wind" and decided to stay in the United Stes, where he eventually was naturalized. The following year he headed west and settled permanently in the Los Angeles area. A dark, cold-eyed, thin-lipped player with a precise, meticulous air about him, he found himself invariably playing the very characters he detested. Some of his more nefarious nasties surfaced in such films as the 'Humphrey Bogart' (qv) classic _Sahara (1943)_ (qv), as well as _The Boy from Stalingrad (1943)_ (qv), _U-Boat Prisoner (1944)_ (qv) and _Till We Meet Again (1944)_ (qv).In postwar years, he was often spotted portraying ethnic professionals (scientists, doctors, professors, foreign royalty). Some of the higher quality roles he portrayed were _Tomorrow Is Forever (1946)_ (qv); Count Von Papen in _5 Fingers (1952)_ (qv); and Ronchin in the 'Ethel Merman' (qv) musical _Call Me Madam (1953)_ (qv). Although Wengraf never made it to the very top of the Hollywood character ranks, he remained a thoroughly strong and reliable player. In the 1950s and 1960s he transferred his talents to TV, appearing on a number of dramatic showcases and on such popular programs as _The Untouchables (1959)_ (qv), _Hawaiian Eye (1959)_ (qv), _The Man from U.N.C.L.E. (1964)_ (qv) and _The Time Tunnel (1966)_ (qv). His last few films included minor roles in the war-themed _Judgment at Nuremberg (1961)_ (qv), _Hitler (1962)_ (qv) and _Ship of Fools (1965)_ (qv). He retired in 1966, and died in Santa Barbara, California, at age 77, on May 4, 1974.::Gary Brumburgh / gr-home@pacbell.net