Rick Vallin

Reliable "B" character actor 'Rick Vallin' (qv) had the rangy physique, prominent cheekbones and swarthy look ideal for rugged films. In the 1940s and '50s he was seen almost everywhere -- in mysteries, musicals, oaters and, especially, the ever-popular edge-of-your-seat cliffhangers. Born in Russia in 1919, he was the son of Nedja Yatsenko, an aspiring ballerina. He came to America while still young. By the time he was in his late teens, he was doing stock productions and had somehow elbowed his way into the radio and movie business. He later joined the Pasadena Playhouse in 1942.After a few years of unbilled parts, he finally made some leeway in "poverty row" pictures and received his first co-star billing in the whodunnit film _The Panther's Claw (1942)_ (qv) with 'Sidney Blackmer' (qv). He also showed promising leading man material in such films as _Secrets of a Co-Ed (1942)_ (qv), _Smart Guy (1943)_ (qv), _Secrets of a Sorority Girl (1945)_ (qv), and _Two Blondes and a Redhead (1947)_ (qv). He played the first of many Indians in the serial _Perils of the Royal Mounted (1942)_ (qv) and the feature-length _King of the Stallions (1942)_ (qv). Vallin found himself caught between a rock and a hard place, however, when it came to moving up. In the minds of studio filmmakers, he had a tight "B" movie image and found any advance to the "A" ranks an almost impossibility. Making do, he continued along on the lowbudget assembly-line, appearing in a few of the Bowery Boys capers such as _Clancy Street Boys (1943)_ (qv) and _Ghosts on the Loose (1943)_ (qv) and the Charlie Chan mystery _Dangerous Money (1946)_ (qv).By the late 1940s Vallin had moved considerably down the credits list. He forged a successful union with Columbia Studios where he kept active in minor roles in 'Johnny Weissmuller' (qv)'s "Jungle Jim" movies, including _Jungle Jim (1948)_ (qv), _Captive Girl (1950)_ (qv), _Jungle Manhunt (1951)_ (qv), and _Voodoo Tiger (1952)_ (qv) playing both civil and savage natives. Vallin also became a mainstay in Columbia's serials that started with _The Sea Hound (1947)_ (qv). Usually a shady or villainous character, he showed up in several including _Batman and Robin (1949)_ (qv), _Cody of the Pony Express (1950)_ (qv), _Son of Geronimo: Apache Avenger (1952)_ (qv), _King of the Congo (1952)_ (qv), and _Perils of the Wilderness (1956)_ (qv), one of the last multi-chaptered serials ever made. Occasionally he stood out more when cast as the hero's dullish sidekick such as in the cliffhangers _Brick Bradford (1947)_ (qv), _Blackhawk: Fearless Champion of Freedom (1952)_ (qv), _Riding with Buffalo Bill (1954)_ (qv), and _Adventures of Captain Africa: Mighty Jungle Avenger! (1955)_ (qv), but, for the most part, his leaden look and dark complexion kept him a secondary villain (henchman, outlaw) or ethnic type (Indian, Arab, Russian).Vallin also picked up dusty work on most of the popular 50s western TV series: "Cowboy G-Men," "Annie Oakley," "Wild Bill Hickok," "The Lone Ranger" and both 'Gene Autry' (qv) and 'Roy Rogers' (qv)' weekly shows. Work grew scarce in the late 1950s unfortunately, and he developed a drug problem, retiring in 1967. One of his last programs was a guest role on "Daniel Boone." Vallin died a decade later in Los Angeles at age 57, and was buried in Eden Memorial Park in Chatsworth, California.::Gary Brumburgh / gr-home@pacbell.net