Pat Crowley

A very pleasing and thoroughly enjoyable vision on 1950s film and 1960s TV, Patricia Crowley effortlessly lit up her surroundings with a warm, inviting personality and fresh-faced attractiveness that she still carries today. At her peak she courted top TV stardom in the mid-'60s as the beleaguered wife and mom on the successful series _Please Don't Eat the Daisies (1965)_ (qv) and easily made the original 'Doris Day' (qv) film role her own. Both she and TV husband 'Mark Miller' (qv) made a handsome couple and the series deserved more than its two-season run. Perhaps audience taste, which was changing rapidly with the counterculture era taking over, triggered its somewhat quick demise.Born September 17, 1933 (some sources incorrectly list 1929), in Olyphant, Pennsylvania, to Vincent, a coal mining foreman, and Helen (Swartz) Crowley, it was her older sister 'Ann Crowley' (qv) (born October 17, 1929) who triggered Pat's interest in performing when, during Ann's appearance in a Chicago musical production, the ten-year-old Pat was given a walk-on part. 'Ann Crowley' (qv) would go on to have a promising musical career appearing in such late 40s/early 50s N.Y. shows as "Carousel", "Oklahoma!" and "Paint Your Wagon". By age 11, Patricia had become a photographer's model and subsequently attended New York's High School of Performing Arts. She won her first major TV part scarcely out of high school and seemed destined to become an important teen star as the bobbysoxer lead in the Saturday morning TV series _A Date with Judy (1952)_ (qv), which was adapted from the highly popular radio series of the 1940s. When the series moved to prime time, however, another actress replaced her.Like her sister, Patricia was also musically inclined and appeared in a few tuneful stage shows such as "Tovarich" and "Kiss Me Kate" (as Bianca). Billed as "'Pat Crowley' (qv)", she made an auspicious Broadway debut with the relatively short-lived comedy play "Southern Exposure" in 1950, earning the 1951 Theatre World Award for "promising personality". She followed this with another short run (one day) in the comedy "Four Twelves Are 48".After a number of early 1950s TV assignments, Pat was brought out to Hollywood to co-star with 'Dean Martin' (qv) and 'Jerry Lewis' (qv) in one of the pair's typical slapstick outings _Money from Home (1953)_ (qv). In it, she played a feisty lady veterinarian. She then moved engagingly into the show business comedy _Forever Female (1953)_ (qv) co-starring 'William Holden' (qv) and 'Ginger Rogers' (qv). As the young aspirant who is vying with the long-in-the-tooth Rogers for a prime Broadway ingénue role, Pat made the most of her role and earned a Golden Globe award for "best promising female newcomer". From there, she played the second female lead in the musical _Red Garters (1954)_ (qv) but crooning headliners 'Rosemary Clooney' (qv) and 'Guy Mitchell' (qv) got most of the songs. Pat did have a dance number, however, opposite Mitchell with the tune "Meet a Happy Guy".While much of her work came from dramatic TV showcases, Pat continued in movie roles co-starring as the girlfriend of 'Tony Curtis' (qv) in the boxing yarn _The Square Jungle (1955)_ (qv), appearing as the female ingénue in the sudsy drama _There's Always Tomorrow (1955)_ (qv) opposite veterans 'Barbara Stanwyck' (qv), 'Fred MacMurray' (qv) and 'Joan Bennett' (qv), and reuniting with Martin & Lewis in their very last film _Hollywood or Bust (1956)_ (qv) before the pair's professional breakup.When her film career started to lose steam in the late 50s (she did appear to good effect, however, with 'Jeffrey Hunter' (qv) in the crime drama _Key Witness (1960)_ (qv) as a couple terrorized by gang leader 'Dennis Hopper' (qv)), Pat found steadier work on TV and guested on many of the popular shows of the day both drama _Bonanza (1959)_ (qv), _Cheyenne (1955)_ (qv), _The Twilight Zone (1959)_ (qv), _The Man from U.N.C.L.E. (1964)_ (qv)) and the occasional comedy (_The Tab Hunter Show (1960)_ (qv)). It was in the sitcom vein that Pat achieved her biggest success when she was cast as "Joan Nash", the nontraditional, harried wife/columnist of an English professor whose four precocious sons and huge sheep dog added greatly to the mayhem in _Please Don't Eat the Daisies (1965)_ (qv). Based on the best-selling 'Jean Kerr' (qv) book, it was a role that suited Pat (now billed Patricia) to a tee and made her a household name at the time.Since then, Patricia has continued to maintain a strong visibility especially on TV, although she was not given the star-making opportunities like this again. Crowley is best known to a later generation of viewers for her regular roles on daytime's _Generations (1989)_ (qv) (1989-1990), _Port Charles (1997)_ (qv) (1997-2003) and _The Bold and the Beautiful (1987)_ (qv) (2005). A guest on such sitcoms as _Frasier (1993)_ (qv), _Roseanne (1988)_ (qv) and _Friends (1994)_ (qv), recurring roles on _Joe Forrester (1975)_ (qv) (perfectly paired with 'Lloyd Bridges' (qv)), _Dynasty (1981)_ (qv) and _Beverly Hills, 90210 (1990)_ (qv) also showed Pat to good advantage. More recently, she has graced episodes of "The Closer" and "Cold Case" and a featured role in the film _Mont Reve (2012)_ (qv).In 1958 Patricia married 'Ed Hookstratten' (qv), a successful attorney for top entertainment and sports icons. They had a son, Jon, and a daughter, Ann, named after her sister. After their two-decade marriage ended, she went on to marry producer 'Andy Friendly' (qv) in 1986. While many understandably agree that Patricia Crowley's talents deserved perhaps a better serving in Hollywood, particularly on film, she has nevertheless proved herself a lovely, lively and still ingratiating presence.::Gary Brumburgh / gr-home@pacbell.net